SCHUBERT: Lied Edition 24
- Romantic Poets, Vol. 1
Borchert, Julia, soprano
Eisenlohr, Ulrich, piano
(Total Playing Time: 00:59:57)
1. Die junge Nonne (젊은 수녀), Op. 43, No. 1, D. 828
 Die junge Nonne, Op. 43, No. 1, D. 828 00:04:44
2. Die Liebe hat gelogen (사랑이 나를 속였네), Op. 23, No. 1, D. 751
Die Liebe hat gelogen, Op. 23, No. 1, D. 751 00:02:28
3. Fruhlingsglaube (봄의 찬가), Op. 20, No. 2, D. 689
Fruhlingsglaube, Op. 20, No. 2, D. 689 00:03:35
4. Morgenlied (아침의 노래), Op. 4, No. 2, D. 685
Morgenlied, Op. 4, No. 2, D. 685 00:03:41
5. Abendrote (저녁 노을), D. 690
Abendrote, D. 690 00:03:40
6. Der Schmetterling (나비), Op. 57, No. 1, D. 633
Der Schmetterling, Op. 57, No. 1, D. 633 00:01:25
7. Das Madchen (소녀), D. 652
Das Madchen, D. 652 00:01:57
8. Der Knabe (소년), D. 692
Der Knabe, D. 692 00:02:01
9. Die Rose (장미), Op. 73, D. 745
Die Rose, Op. 73, D. 745 00:03:05
10.Der Wanderer (방랑자,나그네), Op. 65, No. 2, D. 649
Der Wanderer, Op. 65, No. 2, D. 649 00:02:25
11. Die Berge (산), Op. 57, No. 2, D. 634
Die Berge, Op. 57, No. 2, D. 634 00:02:04
12. Der Fluss (강), D. 693
Der Fluss, D. 693 00:04:48
13. Die Vogel (새), Op. 172, No. 6, D. 691
Die Vogel, Op. 172, No. 6, D. 691 00:01:04
14. Die Sterne (별), D. 684
Die Sterne, D. 684 00:03:54
15. Die Gebusche (수풀), D. 646
Die Gebusche, D. 646 00:03:08
16. Du liebst mich nicht (넌 나를 사랑하지 않아), Op. 59, No. 1, D. 756
Du liebst mich nicht, Op. 59, No. 1, D. 756 00:03:22
17. Dass sie hier gewesen (그녀가 여기에 와 있었다는 것은), Op. 59, No. 2, D. 775
Dass sie hier gewesen, Op. 59, No. 2, D. 775 00:03:27
18. Du bist die Ruh (그대는 나의 안식), Op. 59, No. 3, D. 776
Du bist die Ruh, Op. 59, No. 3, D. 776 00:03:58
19. Lachen und Weinen (웃음과 울음), Op. 59, No. 4, D. 777
Lachen und Weinen, Op. 59, No. 4, D. 777 00:01:39
20. Rosamunde (로자문데), D. 797: No. 3b. Romanze, "Ariette"
Rosamunde, D. 797: No. 3b. Romanze, "Ariette" 00:03:32
BORCHERT, JULIA
The soprano Julia Borchert started her career at the Mannheim National Theatre,
where she soon undertook leading Mozart rôles and distinguished herself
as the best singer of the rising generation with her interpretation of Sophie in
Der Rosenkavalier. She has appeared as a guest performer in leading German
opera houses, including the Hamburg State Opera as Micaela, Pamina and
Sophie at the Stuttgart State Opera, Konstanze and other rôles in Leipzig,
Lucia di Lammermoor in Hanover and Konstanze at the Munich State Opera.
Since 2004 she has made regular appearances at the Bayreuth Festival
as the First Flower Maiden in Parsifal.
Julia Borchert has collaborated with distinguished conductors, including
Pierre Boulez, Michael Gielen, Christoph Prick, Michael Boder, Daniel Harding
and Christian Thielemann. Concert tours have taken her throughout Europe.
Her recordings include Brahms’s Ein deutsches Requiem.
Contemporary opera has an import!ant place in her repertoire, and she appeared
in the première of Detlev Glanert’s Der Spiegel des grossen Kaisers and
Denisov’s Der Schaum der Tage, in the German première of Jonathan Dove’s Flight
and the first performance of Der schwarze Mönch in Leipzig.
She made her Berlin début in Richard Strauss’s Four Last Songs
Borchert, Julia, soprano
Eisenlohr, Ulrich, piano
Rosamunde, D. 797: No. 3b. Romanze, "Ariette"
080719. Edi. Dr.Q
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